Enter Shikari (Interview)

In a lux­ury dress­ing room, at London’s sold-out Roundhouse, the UK’s most excit­ing pro­duce of the last five years - St Albans’ ris­ing super­stars Enter Shikari sat down with Denis to dis­cuss their upris­ing, their sec­ond stu­dio album Common Dreads and com­mu­nal baths.  Anything can hap­pen in the next half hour.

Denis@RRR: Ok, first off, wel­come back home to the UK, and thanks for tak­ing the time out to answer a few of our ques­tions. Would you please give us your names, and tell us what you do in Enter Shikari?

Rou: I’m Rou, and I sing and play the tracks

Rory: I’m Rory, and I play guitar

Denis@RRR: Give us some insight into the his­tory of Enter Shikari. Why did you start play­ing music? How did you start off, and where does the name originate?

Rou: Good old his­tory! We’ve been together in some form of a band since we were about… eleven, prob­a­bly. Enter Shikari first started when we were about 18, which is when Rory joined me, Chris and Rob, we were already a three-piece play­ing Radiohead/Muse kind of sound. When Enter Shikari started, it was tak­ing more of sort of a straight up, punk-hardcore direc­tion, and it was about the same period of time we used to start going club­bing, get­ting into dance music as well, so it sort of for­mu­lated the sound, and Enter Shikari… ‘Shikari’ was just a word that I’d been famil­iar with because my uncle owned a boat, and he called it ‘Shikari’ and I always thought that was a pretty wicked word - it means ‘the hunter’ in Indian, kind of states out what we’re try­ing to do really; just get out and hunt for what we believe in.

Denis@RRR: So where would you say Enter Shikari draw their influences?

Rory: We’ve got such a vari­ety of dif­fer­ent music that we all lis­ten to. Recently though, we’ve lis­tened to a lot of dif­fer­ent dub­step and drum ‘n’ bass acts. Let’s say, on the rock side of things, prob­a­bly a lot of The King Blues and Refused… I don’t know - it’s really hard to pin­point some bands, but I’d prob­a­bly say that one of the biggest influ­ences, full time, would prob­a­bly be The Progidy, if I had pin­point one band, so like the band that influ­enced us to start adding elec­tron­ics and stuff into our sound

Rou: Uhh.. Stravinsky [silence]

Denis@RRR: Ok… [all laugh]. Earlier this year you released your sec­ond album, Common Dreads. Take us through the writ­ing and record­ing process for the record

Rou: We’ve been col­lect­ing riffs and stuff for, prob­a­bly a few years, and writ­ing over on tour and stuff, and we went into our lit­tle prac­tice room/shed at the end of Chris’ gar­den for the most of last sum­mer, and just got every­thing together, fin­ished off the tunes, then went and recorded it in win­ter, down in the Isle Of Wight, it was a pretty dif­fer­ent record­ing expe­ri­ence from the first album, that was just done in two weeks, it was a bit of a rush, whereas with this album we went down there, lived in the stu­dio, in this big haunted manor place, and got to exper­i­ment a lot, which was fun.

Denis@RRR: What’s the sig­nif­i­cance of the album title?

Rou: ‘Common Dreads’ is just kind of what it says on the tin - very global issues that affect every­one, and things that need to be addressed from the grass­roots up for there to be real change.

Denis@RRR: Leading on from that, Common Dreads is loaded with polit­i­cal under­tones, which sim­ply weren’t there in your old record, really. Why did you decide to take this path, and sum­ma­rize the main moral mes­sages con­tained within Common Dreads.

Rou: I guess we’ve always writ­ten about things that affect us socially. I guess with the first album, every­thing was a lot more arty, for want of a bet­ter word, so it was all metaphor­i­cal, and big themes and sto­ries and stuff. This time basi­cally, we had a bit more con­fi­dence, and didn’t feel we have to hold our­selves back in any way, and just, in that case, we’re a lot more frank and direct with what we’re try­ing to get across. It’s the same mes­sage I guess, that the first album is, just kind of unity and com­mu­nity is what we should be doing in this day and age, and there are so many things all around us that are try­ing to divide peo­ple and try­ing to put peo­ple in groups, and it’s just pretty ridiculous.

Denis@RRR: If you could change three things about the world right now, what would they be?

Rou: I’d take away Obama’s Nobel Peace Prize - that’s a dis­grace. Then, I’d… [pro­longed pause, then laugh] we were doing a sim­i­lar ques­tion with Chris and we came up with some­thing really stu­pid… [another pro­longed pause] it depends how big you can go I suppose…

Rory: As big as you like!

Denis@RRR: You’re world leader. You are Obama. [Rou laughs]

Rou: I’d get all the world lead­ers together and dis­cuss alter­na­tive sys­tems to the mon­e­tary sys­tem, and the debt sys­tem and the free mar­ket, and get out of that trol­lope, and then thirdly… legal­ize drugs? [all laugh awk­wardly] Why not, it’d be a laugh?!

Denis@RRR: Brilliant! Moving back to the album, what are some of your per­sonal favorite tracks on the album and why? Favorite lyrics, or instru­men­tal parts?

Rory: Well “Zzzonked” has got to be one of the favorites, it’s one that we just started play­ing live as well, and it seems to be going down really well, because it’s such a mad, men­tal… it starts of with a big metal sec­tion, then just goes into a crazy drum ‘n’ bass sec­tion. I sup­pose you’ve got a bit of every­thing in there, very high energy. Probably my favorite, at the moment I reckon

Rou: Probably “Fanfare For The Conscious Man” at the moment. Just play­ing that live is always really good fun, and it’s such a pas­sion­ate song lyri­cally and musi­cally. It really comes accross well.

Denis@RRR: What do you believe are some of the pri­mary dif­fer­ences between the new album and Take To The Skies?

Rou: The actual sound of it, and the pro­duc­tion on it. It’s quite a big change, because the first album was done in two weeks, like recorded in two weeks sorry, and then we mixed it for a month or some­thing via email, so this album we were a lot more directly involved, and we could have loads more time to experiement with the instru­men­ta­tion and stuff like that, so it’s quite a leap in that sense. Lyrically, it’s a lot more bold, and direct - straight to the point, rather than cov­er­ing every­thing in a metaphor, imagery and stuff. It talks about issues, and you can’t really mis­take what it’s talk­ing about for some­thing else, which is a pretty good thing.

Denis@RRR: Why did you decide to insert so many spo­ken word sam­ples into the record?

Rou: I guess my voice changed quite a bit from the first album. First album, again, espe­cially the vocal process was really rushed, and I was never really happy with how we recorded the vocals, because it was “this bit is scream­ing, so you scream it, and this bit is singing”, whereas this whole vocal on the new album, every­thing kind of molds together - it’s a lot more nat­ural, and you can really get the mean­ing and pas­sion across a lot bet­ter, so then adding the spo­ken word stuff, which is some­thing I’ve been doing for a while, so we just thought, again, we just had a bit more con­fi­dence to put it in this time, and it’s just a lot more direct. People lis­ten to it, you can’t not hear what I’m say­ing, like some­times if someone’s scream­ing or someone’s singing you’ve got no idea what they’re on about, whereas with spo­ken word, you can’t mis­take it, and peo­ple lis­ten and it grabs their atten­tion. It does the job.

Denis@RRR: How do you feel the record has been received by the fans? Do you maybe think the new direc­tion has alien­ated a few people?

Rou: Yeah, I mean, I’m sure we’ve lost a few and I’m sure we’ve gained a few. I don’t know, I don’t know really. I don’t really like to pay atten­tion to mes­sage boards and things like that, because it has a lot of bull­shit. We know from our days, grow­ing up and being on mes­sage boards in our local scene, peo­ple just spout so much crap and then you meet them face-to-face and they’re com­pletely dif­fer­ent and won’t say anything

Rory: “I was only joking”

Rou: Yeah haha. It’s not a world we like to dip into.

Denis@RRR: What about your fans?

Rou: Everyone on our forum is… yeah, kind of.. lov­ing it - I guess they have to be to be on our forum, oth­er­wise they wouldn’t be both­ered in com­ing back to it, but I think over­all it’s been good.

Denis@RRR: So no regrets with the new record?

Rou: No, no

Rory: None at all, I’m more proud of this than any­thing else that I’ve ever done, this record

Denis@RRR: Ultimately, what do you want peo­ple to take away from lis­ten­ing to Common Dreads, or any­thing by Enter Shikari for that matter?

Rory: Whatever they want to take away, really. It’s the type of record that you can lis­ten to and just enjoy it for the musi­cal aspect of it and just the energy, or just escape into what­ever you want to escape into, wher­ever the music takes you, or you can read into the lyrics. Maybe they’ll have a dif­fer­ent point of view that you might not already have, so yeah, we don’t really like to preach or any­thing, we just offer it up and if peo­ple want to take it, then they can.

Denis@RRR: I remem­ber a phase in around 2007 when the whole of the UK was Enter Shikari mad. How was that for you guys?

Rou: It was pretty excit­ing times really, to be honest

Rory: Yeah, it was very weird, very sur­real. Every band, when they’re com­ing up, they get that hype, where every­one jumps on it, it always felt a bit… I mean, it felt quite nat­ural but it just felt a bit annoying

Rou: Yeah, my mom would always be show­ing the neigh­bours stuff, and any­one comes around, they’d be like “ooh, he was in Kerrang this week”. And NME or some­thing, it was a bit cringeable!

Denis@RRR: Leading on from that ques­tion, do you think you’re well received in the States? How do the American fans compare?

Rou: The enthu­si­asm out there is pretty big. The shows we played, the kids that come, know all the words, and are so, so into it, which is great, and it’s really refresh­ing to be play­ing small venues again, and every­one that does come is really, really into, so it’s been really good fun

Denis@RRR: How were this year’s US tours - both the one with Alesana, and the one with August Burns Red?

Rou: Not my favorite tours in the world, I have to say. We had so much bad luck I guess; we crashed, we lost a tyre, we broke down about three times, and we went through so many dif­fer­ent bands. On the last tour, we got a veggie-oil pow­ered van, and we were shit­ting our­selves before, “Oh my god, that’s going to break down all the time!”, but it was actu­ally the best one - and the most comfortable!

Rory: And the cheap­est, as it happens!

Rou: Yeah! So that tour was bet­ter than the one with Alesana. Shows-wise, again, really good fun, good crowds, every­one was really nice.

Denis@RRR: Do you find it unusual going from head­lin­ers in the UK, to a sup­port band in the US?

Rou: Yeaaah. For me, it always kind of feels like tak­ing a bit of a break - it’s almost like a lit­tle bit of a hol­i­day some­times. You just go out there and there’s no real pres­sure, you’re only play­ing a half hour set, it’s not like you’re dead at the end of the night

Denis@RRR: Are there any plans for another US tour soon?

Rou: We won’t be back to the US until April, I believe. We’re hope­fully doing Warped Tour, if all goes to plan. I think we’re going to get a head­line tour as well, in the sum­mer. We’ll be back accross a lot next year, but not until about April.

Denis@RRR: Speaking of tour­ing, can we hear a really crazy tour story?

Rory: Craaaazy tour story…

Rou: In America?

Denis@RRR: Anywhere. FBI sto­ries are prefer­able. [all laugh, fol­lowed by silence]

Rory: Lots of crazy stuff happens

Rou: W-w-what about the group? The com­mu­nal bath shower? It’s a US based thing… Anyways, we had party back at this hotel once, in fact it was on the last tour with Alesana, and we had a load of fans back with us, and we were drink­ing – I think we got through 40 beers that night - and lis­ten­ing to music and stuff, and we wanted to go for a mid­night swim, so we got our swim­ming cos­tumes on and went down there, and we were just about to jump in and the secu­rity guard came, so we had to sheep­ishly go back to our rooms, but every­one was in their swim­ming cos­tumes, so we were like, “right, why don’t we just have a bath”, so we man­aged to fit eight peo­ple in this one tiny lit­tle hotel bath, and water was just going every­where. It got espe­cially stu­pid when Rou came and tried on dive into the bath, with eight peo­ple in there, he was stuck upside-down with his legs in the air. Yeah. And the next morn­ing, the floor had about a cen­time­tre of water along, and just beer every­where, and all my clothes got soaked because I left my bag on the floor. That was fun. It was a good night!

Denis@RRR: Any seri­ous reper­cus­sions of that?

Rou: None at all. Apart from a hang­over [all laugh]

Denis@RRR: You guys actu­ally have your own record label, Ambush Reality. Tell us some more about the label and the inspi­ra­tion behind it.

Rou: When we made it, it was just because we had no other alter­na­tive, no labels really inter­ested. We’d been sell­ing our CDs at shows for a few years, we just thought, “let’s try and put our heads together and do this, get it out prop­erly” and that’s what we man­aged to do. We’re lucky enough to have con­tacts - well, two of our man­agers haven’t, my dad and Chris our bassist’s dad - but our other man­ager, had con­tacts and was in the music busi­ness before, and he was the only per­son who had any sort of knowl­edge, so we man­aged to get it all together, and get every­one work­ing around us, and built up a fam­ily, which worked really well…

Denis@RRR: When was this?

Rou: Whenever “Sorry You’re Not A Winner” came out, which is fuck­ing… no idea… 2007?

Rory: 2006

Rou: Eight? Six? Five

Rory & Rou: Seven! We’ll go with seven!

Rory: Yeah, prob­a­bly, can’t remember.

Rou: That was the first sin­gle, so…

[Rou’s phone rings]

Rory: Don’t look at me! [all laugh]

Rou: Hey mate, can I call you back?

Person on phone: Yeah yeah

Rou: Sorry mate

Denis@RRR: You’ve released three music videos in sup­port of Common Dreads. What’s the process for mak­ing the videos like?

Rou: Well, the last two we did with the same direc­tor, who’s great. We man­aged to both get together and get an idea, and worked together to make the video. Good fun

Denis@RRR: To fol­low up that ques­tion, do you think there’s any point in mak­ing music videos these days? Did the inter­net kill the video star?

Rory: No

Rou: I think, the inter­net stole the video star. No one really watches MTV2 or Scuzz or what­ever nowa­days, peo­ple just see it on YouTube. And now you’ve going the HD qual­ity thing, it looks great… so yeah

Rory: I think there’s still a lot of point in mak­ing music videos, purely just to put them up on YouTube - it’s pre­sent­ing your band as you want them to be pre­sented, rather than just see­ing crappy cam­era phone videos that the fans take. I think there’s still a point to mak­ing videos.

Denis@RRR: What’s the most reward­ing part about being in Enter Shikari?

Rou: The money. It’s all about the money. No, I’m only jok­ing! Probably just the fact that we get to tour around the world and play around the world, travel around the world. Getting to write and play music, not really have many respon­si­bil­i­ties is quite nice.

Denis@RRR: After you com­plete this tour, you’ve got a European tour lined up. Excited?

Rory: Very much so

Rou: Yes. It’s with The Progidy - I don’t know if you know? That’s pretty much the most excit­ing thing we’ve done to date, one of the most excit­ing things.

Denis@RRR: Would you guys say you have ‘made it’?

Rou: Made what? [laughs] I don’t know. We’ve never really had a spe­cific goal in mind, or a point we have to get to, so I think we’ll just con­stantly keep on going until we drop!

Denis@RRR: So what can fans expect from Enter Shikari in the next year or so? Is it too early to men­tion new material?

Rou: Well, we’re tour­ing pretty much, apart from December, we’re tour­ing up until June and then Warped Tour and stuff, so after that, yeah, we’ll be in the stu­dio again. We’ve still got like, 20 songs that didn’t quite get devel­oped enough to make it into the last count­down for this album, so we’re ready to go!

Denis@RRR: What are your favorite records this year, and are there any releases that you’re really look­ing for­ward to?

Rou: Radiohead - In Rainbows… was that this year? Yeah that was this year…

Denis@RRR: That was 2007…

Rou: In Rainbows? [to Denis@RRR, surprised]

Denis@RRR: Yeah, I think so

Rory: It def­i­nitely wasn’t this year, yeah

Rou: It weren’t 2007, must have been 2008 at least!

Rory: Was The King Blues this year?

Rou: No

Rory: Nope. [silence] Shit, who was this year?

Rou: I don’t really keep up to date with…

Rory: Qemists?

Rou: Yeah yeah, Qemists was this year, yeah. Was Chase And Status this year?

Rory: Think so

Rou: Yeah, Chase And Status - More Than Alot. Prodigy - Invaders Must Die, was that this year? [both mem­bers stare blankly at Denis@RRR, silence ensues]

Both: You’re the expert!

Denis@RRR: Uhh, it was in the last five years!

Rory: If you could change the ques­tion, to ‘in the last few years’, that would be great [all laugh]

Denis@RRR: Alright. Thank you so much for tak­ing the time to answer our ques­tions. Is there any­thing you’d like to add?

Rory: Cheers for everyone’s sup­port, that has sup­ported us! Thanks a lot!

Common Dreads is out now, via Ambush Reality. Be sure to catch the band with A Day To Remember on Toursick, and pick up their com­pi­la­tion album, Tribalism, which will be released on February 23rd.

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